Changing An Elephant

Writing is a lot like cooking. The ingredients don't always have to be precisely measured out. If you want to add a little more paprika, go for it! If halfway through you decide to change things up, then change things up. You don't have to follow the recipe.

On my bucket list of things to accomplish while writing the first book in the Children of the Falls series was to hit 200,000 words. Comparatively, the first Harry Potter novel was about 75,000 words, while the longest in the series, The Order of the Phoenix, was over 250,000 words. I had never written a novel longer than 129,000, and I wanted to shatter that standard with something epic.

However, when my book reached 300,000 words—that's right, 300,00!!!—I knew I was running into a problem. I didn't like the idea of beginning a new self-published series under a new pen name with a massive 300,000 word novel. I wanted the series to be more accessible to tentative readers who weren't ready to bite off such a massive novel.

My wife was the first to suggest splitting the book in half, and after I thought about it I realized there was a good midpoint at which I could accomplish that. I knew it would require shifting a few events around and possibly adding a couple extra chapters to wrap things up for a new ending, but the idea was exciting. It instantly gave me two books to start marketing instead of one. It also allowed me to narrow my focus in the first novel and spend a little more time building my characters.

Where Evil Abides, the original book one, became book two, and a new 170,000 word book became book one. This meant I needed a new title. I mulled it over for a few days, but couldn't come up with anything.

After one particularly dream-filled night's sleep I awoke around 6am with a title sitting on my lips. I whispered it, hoping to commit it to memory, and promptly fell back to sleep. Thankfully my brain was able to recall the title and I quickly plopped it onto a new cover for a new book one.

Coming soon: Where Serpents Strike.

Author Interview: J.C. Stockli

"I have always been the under dog wrapped up in a little blonde package with a sometimes overwhelming sense of imagination. In a lot of ways, I'm still that little girl scared of the dark."

—J.C. STOCKLI

Sometimes I read a book just for fun. Other times I read a book and study it. J.C. Stockli is one of those writers who actually had me taking notes. Her style is crisp and smart, and her most recent novel, The Nothingness, is a gritty paranormal mystery that grabs you by the jugular and doesn't let go.

Stockli's work was so intriguing that I messaged her and asked if I could interview her. She eagerly agreed, much to my delight!

C.W.: Your book is very dark with some frightening imagery and ideas. I've gotta to ask, what were you like as a child?

J.C. Stockli

J.C. *Laughing* I was a pretty normal kid, the younger of two siblings, two parents, a dog and cat. I had a wonderfully playful grandmother, a real quirky aunt, and some rascally cousins whom I loved to visit with when growing up. There was a lot of make-believe in my childhood. Yes, I had an imaginary friend and I'm still terrified of the boiler monster in my basement. I always had nightmares, but forced myself to get into horror movies to get over my fears. I had a neighbor who was obsessed with the Poltergeist franchise, and I'm sure she helped to foster my fears, but I learned to love them. I have always been the under dog wrapped up in a little blonde package with a sometimes overwhelming sense of imagination. In a lot of ways, I'm still that little girl scared of the dark.

Your book delves into some truly harrowing realities about the lives of addicts. Your depictions of their struggles are very real and heart-breaking. What sort of experiences have you had, or what research did you do, to capture all of that so vividly?

Understanding that I looooooove when endorphins flare, I know I have an addictive personality. If it feels good—I want more—period. To that end, I have never ventured beyond tobacco and alcohol because I've just never trusted myself. Sadly, I've seen others around me fall to much harsher substances. Addiction is non-discriminatory. It cripples even the strongest and wealthiest, and it can be a subtle threat. I think that's why I wanted to weave that into my story. What originally started off as a mere fantasy in my mind transformed into a fictitious platform with which I could depict how easy addiction can be. There's a stigma wrongly placed on substance abuse, and I wanted to address that.

Give us some insight into your main character, Evie. What should would-be readers know about her?

Evie is your everyday girl. She's flawed, makes mistakes, but is in fact human and has a good heart. I didn't want her to be pristine. She's insecure, doesn't realize her own worth. I've had a few reviews where people have questioned why she would have been dumb enough to do action A or B, but in reality isn't that the human condition? Don’t we always question why people do some of the things they do? Evie is just like you and me, trying to figure life out.

The Nothingness is the first book in a series you're planning correct?

Yes, the Addictions of the Eternal series.

So what sorts of places do you see Evie going to in the future—emotional, mental places?

Evie is going to run the gauntlet with her addictions. The Nothingness is only her first exposure to the drug. She's going to have others who try to shield her from it, but she's got to taste it (so to speak), experience the high for herself, succumb to it, and hopefully free herself from it. The series will carry her through the highs and lows of addiction and through said journey we'll all slowly exit reality and become immersed within the fantasy of the vampire world lurking in the shadows.

Vampires are definitely the rage these days. What drew you to write about them?

I have loved vampires since I was a kid. Who didn't love The Lost Boys? Honestly, the fact that they have become all the rage is sort of surreal for those of us who have been mystified by the supernatural our entire lives. Am I right?

So true! I've got to ask, are you a Twilight fan?

*Laughter* I read and enjoyed the books for the YA value they offer. They challenged the convention of what vampires could be, which I enjoyed... but they were too soft for me, as most YA tends to be.

Ok. We can be friends. *Laughter* So what made you decide to depict your vampires in such a gritty, realistic way?

I didn’t want superhuman powers or the traditional convention of what a vampire could be. I’ve seen other authors tackle this subject, and some challenge the norm, while others embrace it, masterfully—I wanted to challenge it. I have this firm belief that all legend must stem from somewhere. That said, the concept of a tangible origin suggested a more realistic existence than the aversion to sunlight or flying bats with no reflection. I'm not saying that I do not value the cross and garlic stuff, but that’s not real life... unless we’re going to talk about the medical conditions behind it all. I decided I wanted to stray away from tackling the scientific angle, that's been done quite well already, but what about the sociological evolution? Or perhaps the spiritual origin? We’ll see this exposed as the series progresses.

I really liked your approach to vampires in The Nothingness. I think in recent years my taste for vampire stuff has been tainted by their treatment in Hollywood and in books like Twilight, but I felt like you breathed new life into the genre for me. I can't wait to read what you come up with next!

Thanks!

Your prose has such a distinct style. It's very beautiful. Tell us about your writing process. What does it look like? How do you best like to work? Do you have any weird quirks?

This story stemmed from a nightmare that lingered. When an image is so vivid that I can live and breathe it, then it's easy to tell it. I take every experience from my day to day and make mental notes. What was that smell? What did it stir in me? I love silent exchanges of eye contact, so each time I find myself envisioning Lucca staring across the room, I try to tune it to how my body reacts. Music is a large influence, again monitoring how my body reacts to a rhythmic beat. I cannot write in silence, I need to choreograph the scene to the song. Actual writing is haphazard for me. If I have an idea, I get it out quick. I email notes to myself constantly, sometimes a full scene or dialogue. I email notes to myself throughout the day and jumble it all together when I get home and in front of the computer.

What does J.C. Stockli like to do when she's not writing?

Well, it sure isn't folding laundry! I have a beautiful family to keep me company, and thanks to e-books, I have a virtual library in the palm of my hand at all times.

What sorts of things have you learned about yourself while writing?

I’ve learned to push myself out of my comfort zone. Every writer is an introvert, and sharing is difficult. Especially being an indie author, I’ve had to suck in a deep breath and put myself out there, put my writing out there. This was a huge leap for me, but now I feel freer, liberated. It’s been a cathartic experience.

What books are you reading right now?

I just finished a fantastic adventure, Mabel Bunt And The Masked Monarchs, and I’m currently reading My Hood Your Barrio His Beat. I love meeting fellow indies and experiencing their work, working with them and doing book reviews and character interviews on my blog www.jcstockli.com. Writers can contact me if they want me to feature their work.

You're awesome! Thanks so much for entertaining my questions.

Book two in Stockli's series, The Saving, will be available next weekend, October 2. The Nothingness is available now in print and digital formats from Amazon and Barnes & Noble. In anticipation of The Saving, The Nothingness is on sale this weekend for $.99. If you go to her blog she's offering a sneak peek of the next novel!

J.C. Stockli is scheduled to be part of the first ever Virtual FantasyCon, which runs November 1 to 8. Presented by Flavour of Fantasy, FantasyCon will be held online in a Facebook Event with panel discussions via YouTube, a Scavenger Hunt, Giveaways, and a Cosplayer Costume Contest with a daily prize for the best selfie and costume and a grand prize.

To learn more about J.C. Stockli's work, visit her blog at www.jcstockli.com.

"Facing Your Fears" Wrap-Up

I once heard a great little maxim: "A writer is halfway done the moment he begins."

It's a true enough statement, but why is it true? Because for many writers overcoming fear is the biggest obstacle. Sometimes just beginning is what it takes to overcome the manacles of "maybe" and "might" and "what if." Sometimes all we have to do is start.

And then all we have to do is keep going.

We can study great writing. We can absorb good advice (like you're doing now. *wink, wink*). We can accumulate lists of dos and don’ts, but until we learn to keep on keeping on we're doing nothing except gathering information. Information, I'll add, that is useless until it's put into practice.

A child learns to ride a bike by riding a bike. There's no other way to teach them.

Likewise, a writer learns to write by writing. Sounds simple enough, right? Sure, unless fear is holding you back.

Over the past few (okay, many) weeks, I've examined some of the different aspects of a writer's fear—the fear of looking foolish, of being called out on our grammatical mistakes, of being boring, of being misunderstood or unliked, of failing, of not meeting our expectations—and, as I've said before, every single fear a writer can have stems from one commonality: they all MIGHT come true.

But we'll never know unless we begin.

Maya Angelou once said, “There is no greater agony 
than bearing an untold story inside you.”

Your fear may be telling you that your words don't matter, but that is a lie. Your words do matter. Your story matters. Your story may only ever bless one single person, but until you write it and get it out there you'll never know.

If I had cancer and only three days left to live, and if I found myself sitting face-to-face with you, a writer paralyzed by fear, this is what I'd scream at you regardless of how many people thought me a lunatic:

• Don't be afraid to be you! Write what's in your heart. Who cares if the world thinks you're nuts. The universe has put this on you to write, so write it already!


• Don't get tied up in grammar and technical mistakes now. Yes, those things are important, but you'll get to them during the later editing stages. For now, just write!


• Don't try to be perfect, just write!


• Don't worry about failing. Everyone fails. It's how we learn, so just write!


• And, for the love of Christmas, just write, damn it!

So let your fingers fly across your keyboard today—or if you're really old school: the typewriter, or if you're really, really old school: the piece of paper. Whatever you've got, just have at it. Enough stalling, enough procrastinating, enough excuses, it's time to overcome fear and get to work.

Now, if you'll excuse me I need to go follow my own advice. :-)

Face Your Fears

Part 1: Identify Fear
Part 2: Admit You're Afraid
Part 3: Shift Your Focus
Part 4: Overpowering Perfectionism
Part 5: Navigating Hardships
Part 6: Retrain Bad Habits
Part 7: Do What Scares You
Part 8: Hold Your Course
Part 9: Be Logical
Part 10: Fearing Fear