Navbar

Showing posts with label The Series. Show all posts
Showing posts with label The Series. Show all posts

Tuesday, July 19, 2016

Update On Book 3 - Somewhere Around Chapter 35

The deeper this series goes the more the story takes on a life of its own. This wasn't entirely unexpected. The outlines of the first four books that were created, and the conceptualizing of the following four left plenty of room for flexibility. The final book has not been outlined at all. That one is in fate's hands.

But things have taken on a life of their own sooner than expected.

Last week two of the seven main characters were ready to have their narratives reach a climax, much sooner than planned, I might add. The setting changed. The timing changed. These two characters suddenly came together and wanted to have a big finale. Nothing wrong with that, just surprising is all. It's wonderful when characters take on a life of their own, but challenging as well.

The chapters that came as a result of this sudden merger were a delight to witness, with short, rapid-fire moments that bounce from character to character catching different beats of action as the story slingshotted to the end.

It won't be long now, and draft one of book three will be complete.

Stay tuned,

C.W. Thomas signature

Thursday, July 7, 2016

Dear Manuscript: No, You Can't Drive


We started out on this journey together with a working understanding of each other's roles. Or so I thought.

I was the driver. You were the road. I was making the turns, reading the maps, deciding if west was better than east or if a pitstop couldn't wait until the next Burger King where I could get a large fry and an ice cold Dr. Pepper.

But you decided Dr. Pepper wasn't worth waiting for. You wanted to stop at McDonald's for a far inferior Coke from a watered down soda machine. So you took over. I don't know when, but somehow you managed to wiggle yourself down into the driver's side and plop me in the passenger's seat strap me into a carseat in the back like a wailing infant. Just who do you think you are?

We need to find a way to work together again. I understand that you've got your own ideas, and that most of them stem from nothing more than intuition, but sometimes we need to plan ahead. (I'm sorry, but Prince Tristian Elle cannot become king of Tranent. It doesn't make sense, no matter how much you want it to. I think. Actually, I don't know about that one yet. It might be kind of fun.)

But I digress.

Let's reevaluate, because my plans for this series are flying wildly off course and I think it's because I've given you the reins one too many times. You had a few good ideas, but it's over. This is a partnership, not a dictatorship. We're like the United States from a hundred years ago, not this tyrannical do-whatever-the-hell-it-wants governing body ruling over us now.

So calm down with your fly-by-the-pants ideas and let's work together on this. We're only at book three with six more to go. Capisce?

Your backseat writer,

C.W. Thomas signature



Dear Manuscript is an ongoing series by author C.W. Thomas discussing his frustration with those annoying voices in his head.

Click here to read more.

Monday, June 6, 2016

From Un-me To Real Me: The Birth of "Children of the Falls"

Part 7

We now return to the exciting adventures of Craig William Thomas, his turbulent start as a writer, his hatred for all things Twilight, and how a dip into the waters of self-publishing re-ignited his passion for writing.



If you're truly passionate about something you can't give up on it. Even if you try, your passion won't let you.

I tried to ignore my passion for writing for six years—there had just been too many disappointments and unfulfilled expectations. I thought I was done. I thought my interest in writing was a phase that had come and gone.

But passions don't die.

My employer had recently cut my hours to 20 per week. On top of finding myself with extra time on my hands, a royalty check from Amazon for some ebooks I had self-published lit a spark under my butt.

And that's when my desire to write returned with a vengeance. Unbeknownst to me an entire cast of characters had been building in my brain and they had a lot to say! Once I started letting them speak they wouldn't shut up. For a year I wrestled with sleep, anxiety, and attention problems as these characters poured their souls out to me. I couldn't write fast enough. The story just flowed.

Children of the Falls was born.



Where Serpents Strike
Children of the Falls, Vol 1


Where Evil Abides
Children of the Falls, Vol. 2

And this time, I didn't care about Stephenie Meyer and her crappy multi-million dollar novels. I wasn't writing to compete with her. Nor was I writing to impress some big publishing house. They could go play their money-grubbing marketing schemes all they wanted, preferably far away from me. I also decided I wasn't concerned about an audience. I had wasted too many years writing what I thought people wanted to read. It was clear to me that, good or bad, people would read anything, so trying to convince them that my work was superior to anyone else's was a waste of time.

I was writing for an audience of one—me. I was going to write my ultimate story. It would incorporate everything I love, take all the directions I wanted it to take, be as violent and scary and fantastical as I wanted it to be.

Sorry mom.

Children of the Falls actually began with an idea I had about nine years prior. The idea was simple: make an army of medieval super soldiers by training children from the youngest age possible. Think Spartan warriors meets kung-fu meets horror movies.

I had actually outlined a trilogy of books based on this premise called Edhen that I tinkered with over the years, but I was never satisfied with it. It served as the backbone to this new incarnation, expanding from three books to nine, from a trilogy spanning one continent with multiple kingdoms to three continents, dozens of kingdoms, multiple religions, languages, and cultures, and hundreds of characters.

It's been a fascinating journey, but something tells me it's just getting started.


C.W. Thomas signature


Part 1: From Un-Me To Real Me: Discovering My Passion For Writing

Part 2: From Un-Me To Real Me: Writing For My Mother

Part 3: From Un-Me To Real Me: What I Learned From Horror Movies

Part 4: From Un-Me To Real Me: Giving Up On My Dreams

Part 5: From Un-me To Real Me: How Stephenie Meyer Killed My Muse

Part 6: From Un-me To Real Me: How Getting Laid Off Gave Me My Spark Back

Part 7: From Un-me To Real Me: The Birth of "Children of the Falls"

Friday, April 15, 2016

My Pregnant Wife Might Think This Comparison Is Odd

Labor pains.

No man on earth will ever know what those are like. We know that. We get it. But laboring to create something and then finally seeing it born? I think there are ways us men can relate.

Maybe. My wife will probably disagree with me.

But I digress.

They arrived today! Two beautifully printed volumes of an epic journey, the first leg of which I have only just completed. I'm so thrilled to finally be able to share these with readers.

Years from now, when my son is older, I'll say, "The day I held you in my arms after you were born was the happiest day of... no, wait. That's when my books arrived in the mail."



C.W. Thomas signature

Saturday, March 19, 2016

Is This The Beginning or the End?

It's been about seventeen months writing books one and two (172,290 words and 187,200 words respectively), a total of 359,490 words in about a year and a half. By comparison the first Harry Potter book was only 77,000 words, but book 5 was 257,000.

To say I'm excited is an understatement. It may have been seventeen months of writing, but it's been almost nine years of world building. From a tiny concept of a story to an outline for a trilogy to a "Ah, the hell with it! Let's make a whole series!" kind of attitude, the series has birthed and is ready to fly.

Some people have asked me if I'm writing this series on a book-by-book basis, and the answer is no. I've got an end game in sight. I know the fate of every character and what the last scene on the last page of the last book will be. Granted as the creative process unfolds some things might change—in fact I know they will—but I think my road map is pretty well set.

I say this because I think it's more exciting knowing when an author has a plan. Knowing that the author isn't just waiting for another brilliant idea to strike, but that he knows what he wants to say makes for a more interesting reading experience.

Whatever your opinion on that matter, I hope you enjoy what's to come. Both books are now available on Amazon in print and digital formats.

Where Serpents Strike: Children of the Falls, Vol. 1
http://amzn.com/B01BZVIHG6

Where Evil Abides: Children of the Falls, Vol. 2
http://amzn.com/B01D6EF6I2

C.W. Thomas

Saturday, March 5, 2016

"Where Serpents Strike" Sample Chapter

LIA


Where Serpents Strike - high medieval fantasy fiction - C.W. Thomas
When Lia saw him, she froze, curiosity gripping her. She had never seen a man like him this far from Aberdour’s castle. Typically those clad in torn shirts and muddy brown slacks, like this man, were vagabonds of the city’s stone alleys or slaves to noblemen in their comfortable estates. Then she noticed the shackles on his ankles and the broken chain that once linked them dangling between his feet, and her curiosity melted into fear.

Lia gasped. The bucket of oats slipped from her small hand and spilled on the barn floor.
The man was distressed, his eyes wide and worried. He pressed a single dirty finger to his lips. “Quiet, little girl.”

Lia’s fear vanished. “I’m not a little girl,” she snapped. “I’m ten, and I’m—”

“I said shut up!”

From somewhere outside, a woman called Lia’s name. Her shape appeared, passing by the gaps in the barn boards.

The man pointed his finger at Lia. “Not a word!” he whispered, and then shuffled behind the hay bales.

The door creaked open and a lovely, wide-hipped woman with her brown hair pulled back in a ponytail, poked her head inside. Lia spun around, startled, kicking the spilled oats at her feet.

“Is everything all right?” the woman asked.

“I’m sorry, Abigail. I, uh…” Lia looked down at the mess. Kneeling she started to clean it up. “It just… slipped.”

Abigail made her way across the barn floor, her simple brown dress swaying around her ankles. She knelt next to Lia, holding her pregnant belly as she bent down.

“It’s all right,” she said. “Aggie won’t mind.” She looked up at a white and brown rouncey peering down at them from her stall. “Will you girl?”

The horse shook off a few flies.

Lia paid no mind to either Abigail or the horse. Her every thought was on the escaped prisoner hiding behind the hay bales. She considered grabbing Abigail and racing from the barn, but then her eyes fell on the woman’s belly and Lia knew she couldn’t do anything that would put the baby at risk.

Abigail looked up and exhaled in disappointment. “I hope this isn’t your new tunic,” she said. She brushed her hand along the front of Lia’s shirt, peeling away the layer of hay and dirt that had affixed itself to the dark green fabric, marring the pattern of branches and maple leaves.

“Uh,” was all Lia could say. She looked down at her baggy gray slacks, hoping she hadn’t dirtied them as well, but she had.

“Oh!” Abigail said, and her hand went to her stomach. “Lia, feel. She’s awake.”

Abigail took Lia’s tiny fingers and placed them over the spot where the baby was kicking. Even in the face of her fear, Lia couldn’t help but smile as the little life pushed against her palm.

“How do you know it’s a girl?” she asked.

Abigail smiled. “I don’t, but it’s fun to pretend that I do.” She leaned in close and lowered her voice. “And it confuses Thomas, but don’t tell him I said that.”

Lia forced out a chuckle, trying to sound relaxed.

“Are you all right?” Abigail asked as Lia finished picking up the spilled oats.

“Yes,” she answered. “Just, um, thinking about my school work.” She took the bucket over to the stall and dumped it in Aggie’s feed box. “I left without getting it done. Or my chores.”

Abigail frowned. “Honey, we’ve talked about this. I don’t want your mother getting mad at me.”

“I’m sorry. Some days it’s just nicer here. In fact, it’s always nicer here. Things are peaceful and…” She stopped, her eyes darting toward the hay pile.

“And what?” Abigail asked.

Lia cast the woman a forced smile. “Plus Aggie is far smarter than my dumb horse.”

“Aggie is also very old, but I’m glad you like it here.” The woman walked up to her and gave her a motherly embrace, stroking the straight brown hair cascading like a silky sheet down Lia’s back. “You’ve always been a good help to us, but it can’t be at the expense of your responsibilities at home. Understand?”

Lia pulled away and agreed.

Abigail started for the barn door. “Send your mother and father our love.”

“I will.”

“And come inside and get some breakfast before you leave.”

Lia watched Abigail exit the barn, her breath held in her chest.

The mysterious man emerged from behind the hay bales. He had a raw masculinity that enthralled and intimidated all at the same time.

Lia opened her mouth to speak, but he lifted his finger again and mouthed, “No.” She closed her mouth, not because he had said so, but because of the two other men who slipped into the barn behind him, chains clinking at their feet. One of them, husky and tall, had a murderous look in his bloodshot eyes. The other looked sprightly, with a scrawny torso and protuberant eyes in his bony face. He ducked into a nimble squat and wiped the perspiration from his brow with a tattered sleeve.

“They got a ride,” he said, pointing toward the packhorse, Aggie, as she peeked over her stall.

“One horse, moron,” Fatty said. “And there’s three of us, so don’t even think about it.”

“Shh!” said the first man to his companions.

The three men ignored Lia, their ears tilting up to the dusty brown rafters as though listening for some sound in the forest beyond.

Lia heard the gentle clomping of horse hooves on the rough road outside. The three men with their clinking chains hurried toward the barn wall to peer through the narrow slits between the clapboards.

“Is that ’im?” Sprightly asked in a gruff whisper.

No one answered.

Curiosity returned, and Lia drifted toward the barn wall where she pressed her eye up to a knothole. She imagined her mother scolding her for lingering in the presence of these three peculiar men. She half-smiled, knowing she would’ve ignored her mother anyway. She didn’t like playing it safe. She much preferred to gallivant through the woods by day and scale the castle’s bookshelves by night. A day in which she didn’t earn a few new scuffs on her palms or knees was a boring day indeed.

Her eye took in a picturesque country scene where an opening in the forest canopy spilled a wide swath of sunlight onto a stone cottage. Chickens pecked at the dirt near a trickling brook sided by reeds and croaking frogs while a pasture, barely visible through the trees, sat at the rear of the home.

A massive armored horse stomped up next to the cottage, marring the otherwise charming scene. The dark animal bore a tall rider in sinister black plate armor, his metal chest displaying a silver viper—the emblem of the high king. His ferocious appearance made Lia’s heart skip a beat. The large man swung his long leg over his ride’s hindquarters and dismounted. She guessed his height to be nearly seven feet. When he turned, a tremendous broadsword, almost twice as tall as Lia, swayed behind his back.

She noticed a contingent of mounted soldiers coming up over the rise in the road to join the tall man. Clad in black armor and fierce helms, the army carried flags bearing the high king’s crest. Lia’s eyes went wide with fright.

“Black vipers?” said Sprightly, astonished. “Khile, what they doin’ ’ere?”

The fat man shook his head. “Broods don’t come this far north.”

“They do now,” Khile said.

For the last three years Lia had heard rumors that one day the black vipers, soldiers of the new high king, would invade this part of the country, but she had never allowed herself to believe it would happen.

Lia had a sudden urge to be home, safe within the protective walls of Aberdour. Mentally she kicked herself for having snuck off in the morning before doing her schoolwork, for leaving the city without the protection of one of her father’s bodyguards.

The door to the cottage scraped open. Thomas appeared, a middle-aged man with graying brown hair and oafish arms defined from long days of axe wielding. He stepped outside while his wife, Abigail, remained in the doorway.

Lia sprang away from the peephole to run outside and warn Thomas when two strong hands clamped onto her shoulders and yanked her back. She tried to scream except one of the hands replanted itself across her mouth.

“Don’t make a sound!” said the man called Khile. He had firm but gentle hands, like her father’s.

“Why are broods coming after us for?” asked Fatty, his voice quivering.

“They’re not after us,” Khile answered.

Sprightly got up. “Well I’m not hanging around here.”

“You step outside and you’re a dead man,” Khile said.

His companion froze.

“What do you think they’re here to do, huh?” Khile moved toward the barn boards to peek outside. “This is an invasion.”

Lia heard voices outside. She squirmed out of Khile’s clutches and returned to the knothole. She saw Thomas inviting the big armored soldier to the water well. Abigail wiped remnants of the breakfast she was preparing on a mottled white apron and then stood silently in the doorway holding the bulge at her stomach. She looked as nervous as Lia felt.

Thomas raised a bucket of water from the well and offered a ladle to the soldier. The man drank, and said something to Thomas. Lia’s ears perked as she heard mention of Aberdour.

Thomas pointed east in the direction of the city.

The tall man dropped the ladle, removed a thick black dagger from his belt, and plunged it into Thomas’ stomach. Abigail screamed and rushed from the house, hurrying to her dying husband’s prone body.

“No!” The word rushed from Lia’s mouth so fast it surprised her. By the time she realized that she had screamed it loud enough for the soldiers to hear, she was halfway out of the barn. She sprinted up the narrow path to the house as fast as her little legs could move, tears on her cheeks, and hot rage in her stomach.

Abigail cried, cradling Thomas as the last bits of life quivered out of him.

Lia dropped to her knees next to Thomas, calling his name. Her hands reached for him, shaking as they cupped his paling face. He blinked, those beautiful sparkling blue pools, and smiled for one brief moment before death took him.

Lia heard a soldier stomping up next to them, but she ignored him, unable to pull her eyes from Thomas. Only when Abigail gasped did Lia glance up. The soldier yanked her head back and drew a silver blade across her throat, cutting a deep gash that spattered blood onto Lia’s clothes.

A second soldier reached down to grab Lia, but her quick feet were far too clever. She sprang away from the man and sprinted toward the big knight, anger washing through her blood. Her hands slipped from a small leather sleeve the knife her father had given her for her tenth birthday. She had never used it to slice anything other than a dead quail, a piece of rope, and some fabric, but, still, she kept it sharp. It slipped into the armored soldier’s thigh, right between the plates of his armor and deep into the skin. He growled, a sound wrought of pain and irritation. He spun and backhanded Lia across the face with his metal arm. She flew backward into the trampled leaves of the pockmarked road, the right side of her face exploding with pain.

Some of the soldiers laughed.

The armored man looked down at Lia, eyes steady and cool. Brown tangles of hair tumbled from his head, veiling his pale face, a stark contrast to his black uniform. He removed her dagger from his leg like a scholar withdraws a quill from an inkwell, and handed it back to her handle first.

“Would you care to try again?” he asked, his voice indifferent, cavernous and cold. “Go for the inside of the thigh this time. Twist the blade to open the wound.”

“I think you should keep her, sir,” one of the soldiers said. “Might make good sport later.”

Bellows of laughter followed.

The large armored man smiled wolfishly. “Kill her,” he said.

From the barn a horse neighed, beckoning the soldiers’ attention. Lia scurried away from them on her hands and knees until she glimpsed Khile bounding toward the house atop Aggie. He arrived at her side in a matter of seconds and pivoted the horse’s flanks to throw the closest soldiers off balance. He reached down and grabbed Lia by the arm. She gave an undignified yelp when he hoisted her onto his lap and urged the horse forward.

Aggie was afraid, Lia could tell, acting half on instinct and half at the commands of the stranger on her back. The horse rushed along the uneven road.

Lia watched the soldiers behind them ready their crossbows as Khile’s two companions stood at the entrance to the barn, looking after him in confusion. Sprightly took a short arrow through the face. Fatty ducked back into the barn as the soldiers moved in to claim his life.

Before Aggie descended the next crest in the road, Lia glimpsed the massive man in the black armor staring after her, calm as an oak tree in a gathering storm.

Lia squirmed to right herself, but Khile shouted at her, “Keep still!”

“I’m slipping!”

He hooked an arm around her small waist and pulled her up in front of him to straddle the animal’s bare back. The road ahead, with woods crowding up to both sides, rushed past in a blur before Lia’s wet eyes.

“Why did he kill them?” she asked. “They didn’t do anything.” Then she thought of the baby in Abigail’s stomach, that precious little girl, or boy. No one would ever know.

“That’s Sir Komor Raven, one of the high king’s marshals,” Khile answered. “He is the very extension of the Black King’s sword itself. He’s led the siege of almost all—”

“I know who he is,” Lia spat, her voice shaking with sorrow and rage. “Everyone knows The Raven.”

“Then you know to fear him.”

“I fear no one! And someday I’m going to kill him for what he did to them.” Lia knew how absurd she sounded. She knew ten-year-old girls didn’t kill soldiers clad in thick armor, but deep within her boiled a growing hate she had never felt before.

“That man will gut you like a fawn,” Khile said.

“I don’t care. I’m going to rip his heart out!”

Khile huffed. “You’re a feisty little thing. What’s your name?”

“Lia Falls.”

Khile’s body tensed. “Falls? Of Aberdour? You’re a princess?” It sounded like less of a question and more an exclamation of disbelief. “What are you doing out here all alone with no protection? Are you crazy?”

Lia didn’t answer. She only sobbed.

“You’re lucky I found you,” Khile said. “Those men would’ve killed you right along with that man and woman.”

“They were my friends,” Lia said, her voice cracking. She shut her eyes as images flooded her mind of Thomas teaching her how to ride, and Abigail helping her brush the coats of their mares. Years of memories flooded through her as tears washed down her cheeks.

“I don’t understand,” she cried. “Why did he kill them? They didn’t do anything?”

“This is the back road to Aberdour, yes?” Khile said. “And you know who Komor is, then surely you know what he’s doing.”

Lia knew the answer, but she didn’t want to say it. Maybe, if she didn’t say it, it wouldn’t be true. Maybe if she squeezed her eyes tight enough the nightmare would end and she would look up to see the post and beam ceiling of her bedroom in the castle, her violet drapes blowing in the crisp morning breeze, sunlight kissing her pale skin.

But this was no nightmare. The black vipers were real, and they were headed for Aberdour, which could only mean one thing: the invasion had finally arrived.

Aggie lurched over a log in the road, forcing Lia to latch onto Khile’s arm. He must have felt her grip, because he brought his arms in closer to her. He smelled of wood and earth.

“Do yourself a favor and forget about Komor The Raven,” Khile said. “Aberdour is about to fall, and that makes you and your brothers and sisters the most important people in the realm right now.”

As Khile pushed the horse hard over the rough road, Lia thought of her home lying not too far ahead. Aberdour. The last free city on Edhen. She wondered if she and Khile would arrive in time to warn the people. Perhaps they already knew. Perhaps the western towers had already spotted the Black King’s army on the crest of the Northern Road. The bells could be sounding throughout the city right now.

Lia longed for her father, Lord Kingsley. She longed for him to scoop her up in the safety of his arms, hold her tight against his barrel chest, and tell her everything was going to be all right. He was supposed to go hunting this morning with her brother Brayden. She wondered if they were out there now, creeping through the trees, bows at the ready, unaware that they were soon to be the prey.

Friday, November 6, 2015

Could It Be Any More Depressing?

Cutting a book in half isn't easy. (See Changing An Elephant for the full story.)

At first I thought my biggest problem was finding the right point in the different storylines to make the split, but after accomplishing that I realized there's another problem: the individual endings are all kinda... depressing.

At the end of the book...

  • Hero #1 and #2 indulge in a graceless massacre of enemy soldiers. No moral lessons are learned. No one grows or changes. It's just violence.
  • Princess #1 witnesses the suicide of one of her friends and gets sucked deeper into a life of prostitution.
  • Princess #2 is shoved off the top floor of the castle and left for dead.
  • My heroine escapes an attack of enemy soldiers only to find herself trapped in the crypt of a chapel after it burns to the ground.
  • My other heroine is abandoned by her mentor and left in the hands of a cruel teacher.
  • My anti-hero is arrested by the high king, tortured, and thrown in prison.

And just to be clear: these are my main characters. Could it be any more depressing?

As awful as this all might sound, I really don't think I mind. This story is built on the premise that the people have been abandoned by their gods. Society has come to the brink of ruin and the last shreds of innocence are being purged. Despair is what my characters need to feel before they awaken to the reality of what's needed to save the realm.

But if I could pick one word to describe this story, buried in the middle of a dismal plot, heartbroken characters, despairing heroes, and prospering villains, it would be hope. Hope is a tiny thread in this story that glimmers ever so faintly. Hope—I hope—is something that becomes more evident as the series goes on.

Is that glimmer of hope in book 1 enough to keep readers from getting depressed? We'll see.

*Gulp*

C.W. Thomas

Tuesday, April 21, 2015

Meet The Characters: Merek Viator, The Wildcard

Children of the Falls is a massive seven book fantasy series spanning several decades, three continents, hundreds of characters, and seven main narratives telling one massive story. Key to this narrative is Merek Viator.

About Merek

A praised knight and a skilled soldier, Merek eventually allowed the fame to go to his head. Through alcohol abuse and gambling, he brought the ultimate disgrace upon his family. Now an outcast, Merek seeks to find the one thing that could restore his family's honor: his lost sister, who was kidnapped and sold into slavery as a result of Merek's selfishness.

To get her back Merek accepts a job from a mysterious man working under the high king. His mission is to journey to a neighboring country, kill a wizard, steal from him a rare gem, and return it to the high king in exchange for the help he needs to get his sister back.

I picture Merek as the John McClane of my series. The guy is always in the wrong place at the wrong time. He has the worst luck, and knows how to take a beating.

Ultimately, Merek is a wildcard. A good guy? Maybe. But he's not above making morally ambiguous choices to achieve his goals.

C.W. Thomas

Thursday, April 2, 2015

Half Way There

I reached the halfway point on Where Evil Abides last week, volume 1 of Children of the Falls. My estimated word count based on the average chapter length should be around 190,000 words. I currently stand at just over 100,000, which is about the total length of the first book I ever wrote. Whoa.

This series is presenting two major challenges.

  1. The reason I refer to the individual books as Volume 1, Volume 2, etc., as opposed to Book 1, Book 2... is because each book is essentially a collection of seven narratives. That means there are seven distinct characters ranging in age from 5 to 20, each with a unique arc, personality traits, and narrative styling.

  2. Worldbuilding. I've designed medieval fantasy worlds numerous times—in other books I've written or co-authored, with children in schools during writing workshops—but what I've incidentally immersed myself in is map-making on a global scale. I'm currently working on three different continents roughly the size of North America, Africa, and Eastern Asia. Each realm has different governments, religions, superstitions, people, clothing, architecture, language, and more. It's world-building on a scale I've never done before.

Just telling you about it now has exhausted me. Off to bed!

C.W. Thomas

Tuesday, March 3, 2015

The Stuff I Was Too Scared To Write About

I was sixteen when I wrote my very first medieval fantasy novel. In it, I wanted one of my female characters to be a prostitute. It wasn't because I was a red-blooded teenage boy, but because I've always had this fascination with really broken, morally ambiguous, lowly, fallen characters rising up against all odds to do... whatever they're going to do.

Ultimately, however, fear won out. I was too afraid that my mother would freak out over me writing about a prostitute. I was too afraid that I wasn't mature enough to handle the subject matter with the dignity it deserved, (and, actually, that last part is probably true.)

But times have changed. I've changed. And as a life-long student of the middle ages I've learned a lot about that time period. (My first novel included characters who gave their assents with "Okay!" even though that word didn't come around until the 1940s and had no meaning in the medieval lexicon. Oh, Craig *palms face*) The middle ages were brutal. Prostitution was everywhere, even embraced by the medieval church. You could die from a broken leg. People were tortured in the most heinous ways. Unless you were a noble or part of the royal family or the church, your life pretty much sucked.

When it came to starting Children of the Falls, I decided I wasn't going to pull any punches. I wasn't interested in being grotesque or overtly sexual for the sake of shock value, but I wanted to craft a story steeped in that moral gray area where evil can triumph and good can come from the most unexpected places. 

You see, the things in life that have been the most difficult for me to bear are often the things that shape who I am the most. The movies that rattle me, the books that disturb me, those are the ones that stick with me, that challenge my notions of justice and morality. This book is going to challenge me as a writer, and hopefully stretch the endurance of readers who love to be thrilled, but that's the point.

Sorry, mom.

C.W. Thomas

Tuesday, February 17, 2015

Let's Start The Insanity

Since 2006 this idea has sat in my brain. I started the outline nine years ago. The world is built. The characters are ready.

Five books. All outlined from start to finish. I know the fate of every character. I know every twist and turn. I know there will be some surprises on the way, but that's all part of the fun. My fingers hit the keyboard today.

Chapter One...

C.W. Thomas